Canon’s original Digital Rebel 300D lit the fuse that started the sub-$1,000 digital-SLR war. With the “DRebel” now in its fifth iteration, it’s hard to believe just how far this camera has come.
The original DRebel sported a dust-sensitive 6.3MP CMOS sensor and a pathetic four-shot JPEG buffer. The new EOS Rebel T1i 500D ups the megapixels to 15.1 and features a massive 170-shot JPEG buffer at 3.4fps. Dust cleaning, once rare in DSLRs, is featured, as is Live View, or the ability to use the LCD screen to focus and frame a shot. The three-inch screen is a gorgeous 920K pixels and makes smaller and lower-res screens seem antiquated.
The real eyebrow-raising feature of the Rebel T1i, though, is its support for 720p and 1080p video modes. While we once believed that DSLRs would never do video, it’s now the top checkbox on newer models. The T1i supports 720p at 30fps, but at 1080p resolution the frame rate drops to a nearly unbearable 20fps. Video is compressed using H.264 and is stored in a QuickTime .MOV container.
Remember when your high school counselor asked you about your life goals? Remember when you told her that you just wanted to finish high school? Remember when she sighed and told you to set your goals a little higher? The folks at Trevoli should do the same thing with Photo Finale.
Wireless is the new tech race in the compact digital camera field, and Kodak was first out of the Wi-Fi gate with the EasyShare One. This 4 megapixel “compact” camera has 802.11b connectivity that not only lets you print your images wirelessly but also share them on the web.