RAW

avatar

Adobe Lightroom

Adobe’s stand-alone raw app gives you all the granular photo-hacking horsepower of ACR, plus even more sophisticated photographic adjustments tools and a powerful database tool for managing your collection. And like any good raw app, Lightroom is a nondestructive editor, saving changes to metadata settings, rather than changing the pixels themselves, as Photoshop does.

If you’re only familiar with image editors like Photoshop, Lightroom takes some adjustment. For one thing, there’s no “save” function; if you want to save to another format, like a JPEG or TIFF file, you’ll need to use export. The version we tested, 2.6, is fully 64-bit and robustly supports dual displays.

Version 2 of Lightroom is more tightly integrated with Photoshop, but we recommend that you do as much work in Lightroom as possible. All Lightroom edits are nondestructive, but once you load an image into Photoshop, it’s loaded as a 16-bit-per-pixel TIFF file. Any edits in Photoshop are baked into the pixels, and when you save and exit, the TIFF file shows up in Lightroom with the Photoshop changes. The original raw file is still present, but doesn’t have any of the changes made in Photoshop itself.

Continue reading this review after the jump.

avatar

Canon Digital Photo Professional

Canon’s Digital Photo Professional (DPP) ships with every Canon DSLR. It’s a simple, straightforward editing tool that pretty much supports just the basics: adjusting color temperature, batch conversions to other file formats, and simple noise reduction. It lacks the sophistication of its competitors, but since it comes free with every Canon DSLR, it’s tough to be too harsh.

The main interface is simple and uncluttered—arguably too uncluttered, as DDP hides much of its functionality under the menus. Want to crop? Pull down the tool menu and launch the trimming tool. Need spot repairs to remove dust specks? Fire up the stamp tool. Once in a tool, you can’t do anything else until you finish, then close the tool.

The main photographic touch-up capabilities are available when you begin editing an image. You can easily adjust white balance, brightness, contrast saturation, and tone curves in a tabbed panel alongside the image being edited. It’s easy to pop up a window that compares the original to the edited image, so you don’t have to always eyeball the changes from memory.

Continue reading this review after the jump.

Microsoft rolls out a new version of Expression Media and a free catalog reader. We take a closer look.