Acer’s native-1080p display wins points for hitting the widescreen 16:9 formfactor, but the P244w treats its colors with the same unpleasantness it treats its grayscales. The monitor’s color saturation suffers from a reduced range on both the top and bottom ends of the spectrum: Colors lose their vibrancy as they get darker and become washed out as they get lighter.
Hit the jump for the full scoop on this mediocre monitor.
The Gateway FHD2401 hits a ball or two out of the park, but we’re not terribly impressed by this 24-inch panel’s overall performance.
The display’s grayscale performance favors the darker side of the spectrum. The FHD2401 is able to distinguish among shades of gray against a black background, but a below-average showing in lighter grayscales hurts overall performance.
ViewSonic’s VX2240w is unwatchable at its factory default setting—the screen’s brightness is cranked beyond the point of acceptable image quality. Fortunately, we were able to tweak the display’s settings to produce an image that was at least similar in quality to the Gateway HD2201’s. While the VX2240 matched the HD2201 tit for tat in its ability to produce lighter shades of gray on a solid white background, the former exhibited better color saturation in the lighter shade levels.
We control the horizontal; we control the vertical after the jump.
We are ashamed to have mentally cast off Envision’s G2219w1 at first glance because it looked like a budget monitor. It’s budget in price only, for this 22-inch display offers exceptional picture quality for its class.
It wasn’t perfect, though—Envision’s display didn’t reach the same level of gray detail at the dark end of the grayscale as Gateway’s, but it was extremely close. Envision’s display beat out Gateway’s at the light end of the spectrum by, again, a very close margin.
We want to like this monitor, but too many issues stand in the way.
In DisplayMate, Gateway’s HD2201 consistently reproduced dark grayscale values, pushing out more dark shades of gray against a black background than we typically find from monitors of its class. The same can’t be said of the HD2201’s merely average ability to reproduce light shades of gray against white.
What's standing in this monitor's way? Find out after the cut.
Planar’s PL2210MW display is a classic representation of your average 22-inch display—a 6-bit TN panel that bears the mediocre image quality of that class. In DisplayMate, the 1680x1050 display’s grayscale range was acceptable, although it fell apart at the light end in both the grayscale test and when the screen was tasked with producing very light colors against a white background.
Full review after the jump! Or the bump. Possibly the bjump.
We were excited when LG’s W2452T arrived in the Lab—we had high hopes this monitor would break the streak of middle-of-the-road 24-inch displays we’ve tested lately. And it nearly did. Although the 1920x1200-res screen was able to hit the grayscale extremes on our DisplayMate tests, this functionality came at a horrible price: noticeable compression when given an increased range of grayscales to work with.
Dell’s jumbo entry in its Ultrasharp line of monitors, the 3008WFP, performs exactly as the company’s marketing materials promise. This monitor truly “produces darker blacks.” In fact, we think Dell’s underselling the device, because the 3008WFP takes the dark spectrum and covers it with the digital equivalent of a dark sheet. We cranked the device to its maximum brightness and still found ourselves unable to see distinctions at the low end of Display Mate’s grayscales.
It’s easy to be seduced by the sheer size of a 24-inch LCD screen—any display that big just looks like it means business. And there was a time when large LCD panels were almost exclusively high-performance parts. That’s no longer the case. As the 24-inch LCDs reviewed here demonstrate, large screens are just as varied and prone to flaws as their smaller counterparts.