Are you a college student who's interested in producing video content?
Would you like to see more video content on Maximum PC? Yes? Good, because so do we! That's why we would like your help! If you're an able-bodied college student living in the San Francisco Bay Area and would like the opportunity to produce video content around PC hardware, we would love to hear from ya!
Lightroom is tailored for photographers who often don’t need or want the robust image-manipulation tools offered by the pricier Photoshop. From its outset, Lightroom presented photographers with a logical, clean workflow that facilitated photo improvements rather than alterations.
Lightroom 2 added 64-bit support and some refinements—welcome, certainly, but the second version didn’t seem like much more than an incremental update. Lightroom 3, on the other hand, adds a couple of killer features—lens correction and improved noise reduction, namely—that really boost its worth.
It’s all about control—and when you set your DSLR to capture images in the JPEG format, you’re giving up a whole mess of control. Sure, those images may look pretty good, but your final JPEG output never accurately reflects what your camera sensor actually sees, regardless of how well it converts data into the final picture.
A digital camera captures data on an electronic sensor. At its lowest level, this data is known as the raw file. It’s sensor data at its purist, virtually free of modifications and any digital conversions. All the sensor does is catch photons on millions of receptors and write the data to files. That data is literally raw—and DSLRs and some high-end point-and-shoot cameras give you access to this data in order to manipulate your photos with tremendous control.
Don’t like the ISO setting? Tweak it! White balance doesn’t seem right? Correct it! Editing raw files lets you work directly with pure sensor data, making decisions about exposure, shutter speed, fill light, and more, all after the image has been actually shot.
Canon’s Digital Photo Professional (DPP) ships with every Canon DSLR. It’s a simple, straightforward editing tool that pretty much supports just the basics: adjusting color temperature, batch conversions to other file formats, and simple noise reduction. It lacks the sophistication of its competitors, but since it comes free with every Canon DSLR, it’s tough to be too harsh.
The main interface is simple and uncluttered—arguably too uncluttered, as DDP hides much of its functionality under the menus. Want to crop? Pull down the tool menu and launch the trimming tool. Need spot repairs to remove dust specks? Fire up the stamp tool. Once in a tool, you can’t do anything else until you finish, then close the tool.
The main photographic touch-up capabilities are available when you begin editing an image. You can easily adjust white balance, brightness, contrast saturation, and tone curves in a tabbed panel alongside the image being edited. It’s easy to pop up a window that compares the original to the edited image, so you don’t have to always eyeball the changes from memory.