Games like Crysis prove to be an acid test for game hardware because of their insatiable hunger for computer resources. Although these hi-fi games are a visual treat, they are at times blamed for hastening the demise of PC gaming by making it an expensive hobby.
The Warhead PC will feature an Intel Core 2 Duo E7300 @2.66GHz, Nvidia GeForce 9800GT 512MB graphics card, G31 mATX, 2GB memory and 250GB hard drive. The price of the machine has been revealed to be a very reasonable $699. All said, the aesthetics are bland and might not appeal to eclectic gamers.
Interested parties can sign-up for updates, and subsequently, pounce on the rig when it appears along with the game on September 16th, 2008.
"With great power, there must also come great responsibility" -- Uncle Ben, Spider-Man
"With great power and great responsibility, there must also come walls of text." -- Far too many videogames
It's atrocious, too. Last night, I was forced to read my way through the opening of a game released only a week ago. The game's gloriously rendered prison cell bars would likely have even the rottenest of holding cells in jealous fits, yet mere moments after I moved beyond those gnarled steel beams, I was assailed by a text tutorial of such ridiculous length that it would've benefitted from a rabbit-ear feature.
"This is next-gen?" I wondered aloud.
We can polish graphics to such a sheen that even the most mundane objects wrap their tendrils securely around our eyes and never let go, yet integrating a tutorial with actual gameplay is an insurmountable task? The very thought is absurd, and doesn't exactly get me pumped to play the rest of the game. After all, if gameplay matters so little that the designers couldn't even be bothered to, you know, teach me through interactivity -- a little quirk that I hear makes games sorta cool -- then why should I expect anything better from the rest of their game? It's like popping a Porsche chassis over a Flintstones car; take the thing for a spin and your next stop will be the used-car dealership.
So, which ripe-smelling, antiquated videogame "features" do you think should be given the boot? Are there any that you'd actually like to see stick around?
Today's Roundup is all about the future -- no artifacts from 1993 here. Inside, you'll find only the latest news concerning Deus Ex 3, F.E.A.R. 2 (Yep, that's the name, now), and two separate plans to "save" PC gaming.
I'd like to think that I'm a fairly well-adjusted person. I'm generally jovial, well-versed in a range of topics, and only fly into embittered, cursing rages when people really deserve it, or when they speak to me between the hours of 9 AM and 3 PM without having submitted the proper paperwork. Overall, though, I'm a circular peg in the round hole that is our society.
But it wasn't always this way.
As a wee lad, I was quite the little nerdling. I wiled away my time basking in the glow of a computer monitor, sending tiny green orcs to be trampled into tiny green puddles against insurmountably immense forces.
But that wasn't enough for me.
When I wasn't playing, I was drawing. Covered in construction paper scraps and the glue I didn't ingest, I'd emerge from my lair looking like a Swamp Thing pinata. There was a purpose to my demented sciences, however. In essence, I created the ultimate fan art. Towering paper monuments to my favorite videogame characters, they were. Four feet in height, and crafted with the utmost care. They were at once my greatest friends, yet also my only friends. (Note that I was, like, eight. It was perfectly normal, right?)
So, has gaming ever busted down the doorway into your day-to-day life? Any stories you'd like to share? Art projects? Fan fiction? Halloween costumes?
Regardless, today's Roundup is right up your alley. Boiling in the belly of this monstrous site are stories about a console developer decrying consoles, a PC developer spitting in the face of piracy, and Peter Moore dropping a big, bad F-bomb right on top of Sonic The Hedgehog's creator.
We've all been there: you're softly striding through a craggy cavern, imperceptibly thin rays of light squeezing their way through cracks in the ceiling. Your eyes pierce through the black just in time for you to notice a vaguely cylindrical enemy galloping your way. Steel clangs against claws and fangs, and your foe slumps to the ground. A thick liquid oozes from the beast's mangled form, but the scent of blood is curiously absent. You decide to take a closer look, and dab your fingers in the liquid. One tentative lick later, you realize what the cave-dweller was dispensing -- the smooth taste of Coca-Cola! Visibly excited, you bottle up a sample. And with that, it's quest complete. Time to head back to Doct R. Peppyre's place for your brand new, Sunkist-orange tabard. Awesome!
But then, while emerging from the cave, you spot a poster on a nearby tree. Turns out, it's a blatant ad for McDonald's. "What the hell?" You wonder aloud. Then, sense of immersion annihilated, you rage-quit the game.
Obviously, the above situation is completely ludicrous. In-game advertising is never so out-of-place or in-your-face. And, in a fairly roundabout way, that's the point I'm trying to make: in-game advertising isn't as bad as gamers seem to think. Given a decent context, true-to-life ads can even make a game more immersive, while also putting extra cash into publishers' pockets.
But what's your take? Are in-game ads a detriment to your experience, or is Human Billboard your favorite race/class combination?
Well, today's Roundup is loyal only to you, fair reader, but could use some extra money and aims its commentary straight at the pleasure center of your brain. Inside, you'll find the latest news on a public E3, the oft-delayed Firefly MMO, EA's secret plans, and more.
A few days ago, a friend and I were discussing the venerable Tim Rogers, an opinionated games writer if ever there was one. Here's the fun thing about Rogers, though: If you were to shuffle one of his reviews in with those of ten other game reviewers, his piece would stand out like the Batman in daylight, foremost for one obvious reason -- it'd be really, really long. Rogers meanders all over the place, delving into each aspect of a game, as well as many things seemingly unrelated, which he then acknowledges as seemingly unrelated. Sometimes, after noticing that 15 minutes have ticked away from your life and your web browser's scroll bar thing is only half-way down the page, you just wish he'd get to the point.
Rogers, as far as game reviewers go, is an anomaly. People don't want a novel; they want pros, cons, and a numerical score, because they'd rather be dashing someone's virtual brains against the pavement than learning. So I guess it kind of makes sense that games generally exist on the flipside of that reviewing stereotype.
Take, for instance, Resident Evil. Find the red lion, blue tiger, and green goat to form a key so that you can crank open the Voltron door. Sure, your gun-toting pyromaniac of a hero probably could've written a book titled "101 Ways To Pop A Door Off Its Hinges," but where's the fun in that?
Oddly, even though we constantly quip about padded-out sequences or pointless sidequests in our favorite games, we sound the sirens on the whaaambulance when those elements finally take a hint.
So which do you want? Games that toss in chores and fetch quests in exchange for that ever so marketable "60 hours of gameplay!" bullet point, or masterfully designed experiences -- like Portal -- that leave you hungry for more?
Well, today's Roundup, described by some as a "masterfully designed experience -- like Portal -- that leaves you hungry for more," hopes to satisfy all comers. Caged within, you'll find stories about a bill of rights for PC gamers, a new race for StarCraft II, and free gas! You heard me -- free gas! It's all after the break.
I can't sate my Twitter addiction. I'm loathe to hit up my favorite gaming sites. I can't even allow my glance to linger on iGoogle. Why? Because PAX is in town, and I'm, well, not. Due to circumstances beyond my control, PAX is out of my reach this year. So while the hardest of the hardcore come together for a weekend of gaming goodness, I'm doing my best to avoid a jealousy-induced pity party. But, even though my non-presence at PAX is a huge loss for the entire gaming community, it got me thinking:
The PAXian legion, as I mentioned earlier, is predominately composed of so-called "hardcore" gamers. Without even being in the same state as the community-focused gaming expo, I can assure you that over 100 attendees will be clad in "Green Linen Shirt" T-Shirts, replete with armor stats and a sour tinge of body odor. Why? The answer's obvious: they're gamers -- and proud. For a number of reasons -- the medium's relative youth, alarmists' tendency to buzz about, etc. -- dedicated gamers embrace their hobby with a near religious fervor.
Sure, movies have "cinemaphiles" and literature has its bookworms, but gamers are Scientology to other mediums' group of co-workers who meet sporadically for a round of Putt-Putt. With time, I imagine our community will fragment -- genres will expand and tastes will narrow -- but for now, we're a thick stew, full of assorted meats and veggies, but still part of a cohesive whole.
So, do you call yourself a gamer? Are videogames an integral piece of your personality? Is your pride inextricably tied to your Gamerscore? Or are you just a person who happens to play games, and nothing more?
Today's Roundup is like a perfect sundae, with just enough gooey non-gamer-friendly fare drizzled over a vanilla base of terms like "ESA," "second-hand videogame sales," and "Starcraft II release date." There is a spoon, and it's after the break.
Electronic Arts' infatuation with rival video game maker Take-Two Interactive have been anything but secret, nor has Take-Two's rejection. In late February, Take-Two publicly rejected EA's unsolicited takeover bid worth roughly $2 billion, a move Take-Two accused of being "opportunistic" with Grand Theft Auto IV nearing release. Not taking the rejection well, EA threatened with a hostile takeover in the following months, but has since backed down.
Now it appears the two game makers may be on the road to recovery, but unlike the previous spats, the current negotiations are being kept secret. According to EA's recent regulatory filing, both companies have signed a confidentiality agreement after agreeing to hold private talks about a potential transaction.
"As a result, EA does not intend to make any further announcements regarding the status of any discussions or negotiations with Take-Two unless and until discussions between EA and Take-Two have been terminated or such parties have entered into a transaction," EA wrote.
Yesterday, I discussed, in brief, gaming's trend toward the future -- generally at the expense of the past and even the present. Coincidentally, I think that trend ties in well with another point of discussion yesterday's Roundup shoved into the limelight: PC gaming's "death." A good many of you seemed to think I'd love nothing more than to drag the ol' PC out back, aim down the sights, and end its miserable existence.
You couldn't have been more wrong.
PC gaming is, in my mind, thriving. Oh sure, consoles may rake in more mullah, but PC gaming never stops blazing trails into the future. Do I think we should grind to a halt and take a look around every once in a while? Sure. But never should we stagnate, or else our industry really could slump into a lifeless heap. PC gaming, whether it be through MMOs, services like Steam, or even its colossal casual market, is console gaming's crystal ball. "That's what I want to be when I grow up!" I can almost hear Sony, Microsoft, and Nintendo's petite blocks of plastic excitedly screech.
With that said, however, progress is a series of trials and errors. Today's Roundup casts its gaze upon a few recent missteps, from MMOs' lack of true emotion, to E3 2008, to, er, the iPhone. Oh, I didn't just go there; I rented a room, saw the sights, and brought back a refrigerator magnet. Read more for all of that -- and more.
Face it, pirates and ninjas are out and zombies are in. And we have no doubt that one of our most high-anticipated games of this year is Left4Dead, Valve’s post-apocalyptic survival horror shooter. Our initial playtest sent chills down our spine when we first saw it at last year’s Showdown LAN, and the game looked much more refined and polished when we played it at this year’s E3. A revamped visual style and new character designs suit the cinematic direction -- the levels looked grittier and the zombies were definitely more terrifying (if that’s even possible). We spoke with Michael Booth, the designer of Left4Dead, to find out what other changes have been made to the game since Valve bought up his development team.
Just for you, because you're awesome: new screenshots from two of our most highly-anticipated PC games of the year. Spore and Left4Dead look much more polished and graphically improved since we've last seen them. In the case of Left4Dead, all the character models have been revamped as well. The L4D screens don't actually show the new character design. For a peek at those, you'll have to hit up our liveblog of the EA press conference.