Ever have that problem where you want to take a nice group picture of your friends, say at the Grand Canyon, and you just can’t get ‘em all in the frame? So you ask them to keep backing up a step and before you know it… oops!
The X1 makes it clear that Konica is well aware of our penchant to gravitate toward, hold, and purchase shiny objects. However, unless you care little about performance and getting the highest-quality images possible for your dollar, there are better options available.
Nikon’s D50, the company’s latest foray into the sub-$1,000 digital-SLR category, outstrips most other budget bodies in its class and kicks much point-and-shoot ass.
Much of that capability comes from the D50’s lineage. The body feels and functions like a detuned D70, which was itself a breakthrough product. The D50 sports the same imaging sensor as the more expensive D70, and delivers terrific bang for the buck.
Look into the viewfinder of a consumer-grade digital SLR and you’ll notice a startling difference compared with a film camera and the same lens: Your view is cropped, in much the same way black bars crop a widescreen movie to fit an older TV.