ReviewsNEC EA261WM
Posted 04/29/09 at 02:45:22 PM by Tom Edwards
Our initial impression of NEC’s widescreen 26-inch EA261WM LCD monitor was overwhelmingly positive, primarily due to the thought put into its ergonomics. What puzzles us most about monitor design is why—even with obscenely expensive panels—user comfort is so often overlooked. If you’re planning on shelling out a load of cash for a monitor, something as simple as height adjustment (rather than the default homebrew solution of piles of books) seems like an obvious feature. The EA261WM includes not only height adjustment but pivot, tilt, and swivel adjustments as well, making it easy to share information on your screen with coworkers or even switch to a portrait configuration, should the need arise.
The EA261WM is also one of only 26 monitors to achieve EPEAT’s gold rating, the highest standard for environmental friendliness. To further emphasize its green attributes, the monitor includes an ECO mode, which lowers power consumption, and a carbon-footprint reader tells you just how much you’re doing to save the planet by lowering the brightness on your monitor.
Read on for the rest of the review.
ReviewsBenQ E2400HD
Posted 04/03/09 at 12:30:33 PM by Tom Edwards
BenQ promises that its E2400HD LCD monitor will provide “a brand-new standard for personal digital audiovisual entertainment….” And while we’ve grown weary of marketing hyperbole, at first glance, this 24-inch panel has the specs to back up this statement. The E2400HD sports a 1080p HDMI interface and utilizes a 16:9 aspect ratio (rather than the more common ratio of 16:10 for widescreen panels), two features that should improve the movie-watching experience. OK, perhaps “brand-new standard” is a bit overboard, but as we unboxed it, we did think that a 1080p 24-inch monitor for less than $400 was certainly intriguing—even if it sports a 6-bit panel.
A 16:9 aspect ratio should, theoretically, provide a better image when viewing high-def widescreen movies because a 16:10 monitor has to either stretch an image by 10 percent or add black bars to the top and bottom of the image to compensate for the additional space. In our tests with multiple DVD movies, however, those ubiquitous horizontal black bars appear during playback. While TV shows and many movies (typically romantic comedies) are filmed in a native 16:9 aspect ratio, many films are matted using a wide 2.35:1 aspect ratio where you’ll still see black bars. Therefore, while the BenQ is capable of displaying a movie in its original widescreen glory, many DVDs will still not be able to utilize all of the screen’s space.
Read on for the rest of the review!
ReviewsLaCie 730 
Posted 02/05/09 at 02:20:55 PM by Tom Edwards
We had the LaCie 730 delivered to the Lab as a possible contender for our upgrading feature (page 25)—at $5,000 and change it’s certainly a comfortable fit at the high end of the price spectrum. Of course, it wasn’t just the price that intrigued us. The LaCie 730 includes a number of features that set it apart from other monitors we’ve reviewed—as well as one oversight that keeps it from attaining our highest praise.
While most monitors that come to the Lab sport 6- or 8-bit panels, the 730 has a 14-bit panel, which should greatly increase the color depth of this monitor. Additionally, the 730 includes an LED backlight rather than the more typical cold-cathode fluorescent backlight. An LED backlight should produce a truer black than a CCF because unlike the CCF, LEDs can switch on and off while a CCF is always on (for this same reason, an LED backlight should also reduce the amount of light seepage at the edges of a monitor). However, the first LED backlight monitor we reviewed, ViewSonic’s VLED221wm (May 2008), was able to create the darkest black we had ever seen but couldn’t differentiate the darkest grays in our grayscale test.
Read on for the rest of the review!
ReviewsWestinghouse L2610NM 
Posted 08/28/08 at 11:00:00 AM by David Murphy
Taking a cue from ViewSonic’s playbook, Westinghouse’s L2610NM produces a crappy image out of the box. We haven’t seen a display ship with such a whited-out picture in a long time.
And unlike ViewSonic’s VX2240w, adjusting the L2610NM’s brightness and contrast settings does little to help matters.
More of this sin against nature after the jump.
ReviewsHannspree HF289HJB
Posted 08/27/08 at 02:00:00 PM by David Murphy
Size is important, but so is quality. Hannspree’s 27.5-inch HF289HJB fits the former just fine, but its average performance makes us yearn for a better-quality picture to fill the massive screen.
Dim news after the jump.
ReviewsDell 2408WFP
Posted 08/27/08 at 11:00:00 AM by David Murphy
Dell’s 2408WFP is the latest in the company’s line of 24-inch panels, following on the heels of the much-beloved Dell 2407WFP (reviewed September 2006). Unfortunately for Dell, improving upon its predecessor isn’t enough to push the 2408WFP above other tested displays.
That said, there's much to like about the 2408WFP after the jump.
ReviewsAcer P244w 
Posted 08/25/08 at 02:00:00 PM by David Murphy
Acer’s native-1080p display wins points for hitting the widescreen 16:9 formfactor, but the P244w treats its colors with the same unpleasantness it treats its grayscales. The monitor’s color saturation suffers from a reduced range on both the top and bottom ends of the spectrum: Colors lose their vibrancy as they get darker and become washed out as they get lighter.
Hit the jump for the full scoop on this mediocre monitor.
ReviewsGateway FHD2401
Posted 08/25/08 at 11:00:00 AM by David Murphy
The Gateway FHD2401 hits a ball or two out of the park, but we’re not terribly impressed by this 24-inch panel’s overall performance.
The display’s grayscale performance favors the darker side of the spectrum. The FHD2401 is able to distinguish among shades of gray against a black background, but a below-average showing in lighter grayscales hurts overall performance.
Hit 'Read More' for the full review.
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