High-End Gaming Headset Roundup -- Check Out These Sweet Cans!
You’d never credit your headset after winning a Team Fortress 2 match, nor would you ever brag about your soundcard after just acing a round in Call of Duty 4, but any gaming veteran knows that having a sweet set of cans is a must for even the casual gamer’s setup. This is especially true today with the vast majority of professional gamers using headsets instead speaker systems.
Unfortunately, deciding which audio hardware is right for you can become aggravating very quickly with USB headsets, 5.1 headphones, onboard mixing, analog inputs, and incompatible interfaces confusing the market. With this roundup, we’re going to scrutinize six gaming headset options, and examine the largely unspoken differences between analog and USB audio technology.
If you like your existing soundcard, you won’t need a USB headset. This is because the only way for audio to be produced through the USB headset is by bypassing the soundcard entirely. A USB headset is recognized by your operating system as a completely separate audio device. While this is convenient for laptops and desktops with cheap onboard soundcards, it creates a headache for anyone looking to play music or film audio through their speakers; you'll have to change the default Windows audio device, swapping between the headset and whatever sound card your speakers are plugged into. A USB headset will usually require software installation to function with your OS and to allow customization and mixing control. This brings us to the very reason companies are making USB headsets in the first place, to allow for inline hardware acceleration which remixes the audio before sending it to the speakers. Essentially you have a mini soundcard embedded in the headset.
This is both a good and a bad thing. For gamers without soundcards (or have soundcard driver problems in Vista), USB headsets are an unbeatable value. You get hardware acceleration and a physical headset in one package. If you already have an expensive and fully-functioning soundcard, however, buying a USB headset can be pointless – the audio quality won’t necessarily be better with USB. The only option for you is using analog jacks, or if you have a newer soundcard, optical cables (although it would be amazing, we have yet to see a high end optical headset).
That said, deciding upon a testing method was difficult. We eventually settled on testing the analog headsets with a PCI-Express X-Fi Titanium Fatal1ty soundcard and the USB headsets on their own.
With that important difference explained, we take a look a few of the latest headsets to see which pair is truly king of the cans.
Creative HS-1200
We’re typically wary of wireless gaming products due to their spotty battery life and ironically more inconvenient set up process. We were pleasantly surprised, then, when Creative proved us wrong with this wireless offering. The HS-1200 mixes audio onboard like other USB headsets, but unlike its competitors it makes use of Creative's X-FI Crystalizer and CMSS-3D technologies. This portable X-Fi implementation comes pretty close to the surround directional accuracy and audio quality of an actual X-Fi soundcard. Despite this, games would only allow us to enable older version of EAX. OpenAL does not work with this headset and Battlefield 2 wouldn't let us set the audio quality to "Ultra." Another drawback is the lack of underwhelming bass; although punchy, there was no real boom.

The wireless functionality impressed us as it worked within 40 feet of the transmitter, through walls and electronics, before fading out. Also, the headset comes with volume control buttons on the earpads themselves, which is a necessity when going wireless. The earpads felt comfortable enough, but they sit on top of your ears, making you sweat a little. And although the microphone performed well in Skype and games, we would have liked to see it retract or detach.
All in all, the audio fidelity of the HS-1200 is excellent and the wireless functionality is near-perfect, but the poor EAX support and small earpads force our smiles to wane.
Verdict: 7
Creative Fatal1ty HS-1000
While this headset carries the official seal of approval from the Championship Gaming Series (CGS) and uber-gamer Fatal1ty, these endorsements are obviously more of a marketing gimmick than a certification of quality, since we don’t think any professional gamer would ever use a budget headset like this one. The HS-1000 contains the same inline acceleration as the HS-1200, and the CMSS-3D and Crystalizer are a welcome inclusion. Despite this, the EAX support remains just as spotty as it was on the HS-1200 and OpenAL support is nowhere to be found. Even with the far more comfortable earpads, this headset’s speakers aren't as accurate as the HS-1200's, producing little if any bass.

Fortunately the mids and highs were a bit more up to par. One thing this headset is good at is maintaining audio clarity at extremely high volumes; there was little distortion when pushing levels to the limit. The Fatal1ty's had the worst microphone among the sets we tested; it would pick up background noise with every bit of fidelity as it did our voice. In addition the recording quality was only mediocre.
For its relatively low price, the Fatal1ty HS-1000 is good, but it simply can't compare to what real professional gamers use in competitive gaming leagues such as the CGS.
Note: In a smart move, Creative is producing analog and USB versions of this headset. Both are identical except for the inclusion of an inline mixer with the USB version and the analog set will cost you much less.
Verdict: 6